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旅游导刊 ›› 2024, Vol. 8 ›› Issue (4): 63-85.DOI: 10.12054/lydk.bisu.256

• 研究论文 • 上一篇    下一篇

心理时间旅行:听众与城市民谣相遇的过程解读

许雨欣1, 熊伟1,2(), 陈彤彤1   

  1. 1.华南师范大学旅游管理学院 广东广州 510631
    2.华南师范大学文化空间与社会行为广东省重点实验室 广东广州 510631
  • 收稿日期:2023-09-01 修回日期:2024-05-20 出版日期:2024-08-30 发布日期:2024-09-10
  • 通讯作者: 熊伟(1981— ),女,湖南长沙人,华南师范大学旅游管理学院教授、硕士研究生导师,研究方向为旅游心理与社会文化地理, E-mail:xiongwei@m.scnu.edu.cn
  • 作者简介:许雨欣(2000— ),女,江西新余人,华南师范大学旅游管理学院硕士研究生,研究方向为旅游心理学;
    陈彤彤(2000— ),女,广东韶关人,华南师范大学旅游管理学院本科毕业生,研究方向为旅游目的地营销。
  • 基金资助:
    国家自然科学基金项目“流动儿童日常生活实践中的地方依恋与身份建构”(42071189);国家自然科学基金项目“返乡精英移民的流动性实践与乡村地方性重构研究”(42071191);广东省自然科学基金项目“广州市青年流动人口的社会融入研究”(2020A1515010390)

Mental Time Travel: An Interpretation of the Process of Audiences’ Encounters with Urban Folk Songs

XU Yuxin1, XIONG Wei1,2(), CHEN Tongtong1

  1. 1. School of Tourism Management, South China Normal University, Guangzhou 510631, China
    2. Provincial Key Laboratory of Cultural Space and Social Behavior, South China Normal University, Guangzhou 510631, China
  • Received:2023-09-01 Revised:2024-05-20 Online:2024-08-30 Published:2024-09-10

摘要:

音乐可以带着听众去旅行,城市民谣让听众“走进”旅游目的地,走入音乐时空之旅,但其内在的心理活动过程需要深入解读。本研究基于旅游相遇理论,援引心理时间旅行的概念,运用程序化扎根理论,对网易云音乐平台歌曲《成都》的乐评数据进行三级编码,构建了听众与城市民谣相遇的心理时间旅行的过程模型。具体而言:首先,城市民谣是开启心理时间旅行的“按钮”,当下是心理时间旅行的“锚点”,记忆和自我是心理时间旅行的“机器”,听众通过记忆和自我穿梭于主观时间中的过去和未来;其次,听众的身体作为“情绪交错场”,不断积累着的主体情绪成为心理时间旅行机器的“润滑剂”,使得听众在音乐时空之旅中循环流转,跨越时空走进旅游目的地。本研究创新性地将旅游相遇理论和心理时间旅行的概念相结合,揭示听众与城市民谣相遇的音乐时空之旅的内在心理活动过程,也为旅游目的地营销组织提供了实践启示。

关键词: 旅游相遇理论; 心理时间旅行; 城市民谣; 程序化扎根理论

Abstract:

Music can guide audiences on a journey, with urban folk songs enabling them to“walk into”a tourist destination, travelling through musical time and space. However, the internal psychological processes require in-depth interpretation. Based on the theory of tourism encounters, this study employs the concept of mental time travel and applies proceduralized grounded theory to analyze music reviews of the song Chengdu on the NetEase Cloud Music platform across three levels. This analysis constructs a process model of mental time travel between audiences and urban folk songs. 1. Urban folk songs work like a“triggers”for mental time travel; the present functions as the“anchor point,”while memory and self-act as the“machines,”allowing audiences to traverse subjective time, encompassing both the past and future. 2. The audience’s body is an“emotional interleaving field,”with accumulated subjective emotions acting as the “lubricant” for the mental time travel “machine.” This process facilitates the audience’s journey within the musical time-space travel, enabling them to “enter” the tourist destination across time and space.

This research innovatively integrates the theory of tourism encounters with the concept of mental time travel to reveal the internal psychological process of the musical time-space journey experienced by listeners of urban folk songs. Additionally, it offers practical insights for tourism destination marketing organizations.

Keywords: Theory of Tourism Encounters; mental time travel; urban folk songs; proceduralized grounded theory

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