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旅游导刊 ›› 2023, Vol. 7 ›› Issue (1): 19-40.DOI: 10.12054/lydk.bisu.216

• 研究论文 • 上一篇    下一篇

如何看见乡愁?——乡村旅游中乡愁景观的识别与表达

蔡礼彬(), 张子彧   

  1. 中国海洋大学管理学院 山东青岛 266100
  • 收稿日期:2022-06-03 修回日期:2022-10-20 出版日期:2023-02-28 发布日期:2023-03-29
  • 作者简介:蔡礼彬(1972— ),男,河南潢川人,博士,中国海洋大学管理学院副教授,研究方向:旅游管理。E-mail:cailb@ouc.edu.cn
    张子彧(1996— ),女,河北唐山人,中国海洋大学管理学院硕士研究生,研究方向:旅游管理。
  • 基金资助:
    山东省重点研发计划(软科学)“科技赋能文旅产业转型机制研究”(2022RZB07053)

How to Evoke Nostalgia? Identification and Expression of Nostalgia Landscape in Rural Tourism

CAI Libin(), ZHANG Ziyu

  1. School of Management, Ocean University of China, Qingdao 266100, China
  • Received:2022-06-03 Revised:2022-10-20 Online:2023-02-28 Published:2023-03-29

摘要:

“乡愁”作为乡村审美的重要主题,在乡村旅游中扮演着保存集体记忆、延续乡土文化的重要角色,亦能作为一种“景观符号”被表达。本研究选取山东省青岛市王哥庄街道为案例地,在视觉语境中,立足于“乡愁能够以景观的方式呈现”这一命题,通过隐喻抽取技术探讨游客与在地居民双主体对当地“乡愁景观”的识别与凝视过程,结合符号学理论分析乡愁的社会文化意义建构逻辑。结果显示:(1)王哥庄乡愁景观系统由“味道记忆类”“仪式场景类”“生活环境类”3种要素构成,各类景观符号动静结合,既有整体又有细节;(2)乡愁本身具有时代性和主体性,它因时代的变迁和情感视角不同而被建构出不同的社会文化意义,在本研究中,乡愁景观的最终符号属性包含生态、文化、情感、社会价值4个维度,并随时代发展体现出反思性、前瞻性的特点;(3)视觉感官确实能够直接刺激乡愁记忆泛起,但乡愁情感的深入体验往往是多感官共同作用的结果,未来的乡村旅游开发应重视乡愁景观的表达,建立起一种“多重具身视觉机制”。

关键词: 乡愁景观; 乡村旅游; 符号学; 隐喻抽取

Abstract:

As an important theme of rural aesthetics and an expression of “landscape symbol,” “nostalgia” plays an important role in preserving collective memory and continuing local culture in rural tourism. Wang Ge Zhuang, Qingdao, and Shandong were selected as the sites for the case study. Based on the proposition that “nostalgia can be represented in the form of landscape” and in the visual context, this study uses Metaphor Extraction Technology (ZMET) to explore the process of both tourists and local residents’ cognition and identification of the local nostalgia landscape and analyzes the socio-culturally significant construction logic of “nostalgia” from a semiotic perspective. The research findings are as follows. (1) The nostalgia landscape system of Wang Ge Zhuang comprises three elements of “taste memory,” “ritual scene,” and “living environment.” All kinds of landscape symbols are both dynamic and static and integrated as a whole with distinct and detailed individuality. (2) Nostalgia itself has the striking features of time and subjectivity, and different social and cultural meanings are constructed due to changes in time and various emotional perspectives. In this study, the ultimate symbolic attributes of the nostalgia landscape contain the four dimensions of ecology, culture, emotion, and social value and show the characteristics of reflectiveness and foresight with the progress of time. (3) Visual senses can directly stimulate nostalgic memory, but the deep experience of nostalgia is often the result of the joint action of multiple senses (such as taste). Importance should be attached to the expression of the nostalgia landscape and to the establishment of a “multiple embodied vision mechanism” in the future development of rural tourism.

Keywords: nostalgia landscape; rural tourism; semiotics; metaphor extraction

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