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旅游导刊 ›› 2021, Vol. 5 ›› Issue (2): 82-100.DOI: 10.12054/lydk.bisu.162

• 研究论文 • 上一篇    

休闲与仪式:电影院的空间生产研究

张浩1(),林家惠2,蔡晓梅3,4   

  1. 1.湖北经济学院旅游与酒店管理学院 湖北武汉 430205
    2.中山大学旅游学院 广东珠海 519082
    3.华南师范大学旅游管理学院 广东广州 510631
    4.华南师范大学文化产业与文化地理研究中心 广东广州 510631
  • 收稿日期:2020-06-25 修回日期:2020-12-20 出版日期:2021-04-30 发布日期:2021-05-21
  • 作者简介:张 浩(1981— ),男,湖北武汉人,博士,湖北经济学院讲师,研究方向:酒店组织管理、旅游社会文化地理。E-mail:hzhang@hbue.edu.cn。|林家惠(1997— ),女,广东汕尾人,中山大学旅游学院硕士研究生,研究方向:城市旅游与休闲、旅游者时空行为。|蔡晓梅(1976— ),女,湖南隆回人,博士,华南师范大学教授,研究方向:社会文化地理、酒店管理。通讯作者。
  • 基金资助:
    国家自然科学基金项目面上项目“返乡精英移民的流动性实践与乡村地方性重构研究”(42071191)

Leisure and Rituals: Research on the Production of Cinema Space

ZHANG Hao1(),LIN Jiahui2,CAI Xiaomei3,4   

  1. 1. School of Tourism and Hospitality, Hubei University of Economics, Wuhan 430205, China
    2. School of Tourism Management, Sun Yat-sen University, Zhuhai 519082, China
    3. School of Tourism Management, South China Normal University, Guangzhou 510631, China
    4. Research Center for Cultural Industry and Cultural Geography, South China Normal University, Guangzhou 510631, China
  • Received:2020-06-25 Revised:2020-12-20 Online:2021-04-30 Published:2021-05-21

摘要:

随着休闲时代来临,休闲空间与休闲体验成为理论与现实关注的热点之一。本研究运用质性研究方法,从列斐伏尔的空间生产理论出发,援引休闲与仪式的理论,探讨电影院的空间生产逻辑以及休闲与仪式在空间中的具体表征。研究发现:电影院在时空演变中正在转型成为兼具功能与审美的现代化观影空间,并朝着多元化的方向发展;休闲与仪式是电影院空间的具体表征,休闲表征体现为人们与“日常性”的分离以及对阶层隔阂的突破;仪式表征体现为个人观影中的代入感与精神互动以及集体观影中熟人与陌生人共同构建的社会联系。本文从休闲与仪式的视角丰富了空间生产理论中表征空间的意义,为空间生产的具化研究和城市微空间研究提供了新的视角和参考范式。

关键词: 空间生产, 表征空间, 休闲, 仪式, 电影院

Abstract:

With the approach of the leisure age, leisure spaces and experiences have garnered significant interest in both a theoretical and a practical context. Based on Lefebvre’s production of space theory, this study uses a qualitative research method to explore the process of cinema space production and the specific representation of leisure and rituals in spaces. The findings indicate that with the evolution of time and space, the cinema has transformed into a modern movie-watching space in terms of its functions and aesthetics and is developing in a diversified direction under government supervision. Leisure and rituals are concrete representations of cinema space. Leisure representation is reflected in the separation of people from “daily routines” and the breakthrough of class estrangement; the ritual representation is embodied in the sense of substitution and spiritual interaction inherent in personal movie-watching, and the social connection is jointly constructed by acquaintances and strangers via collective movie-watching. From the perspective of leisure and rituals, this research enriches the meaning of representational space in the production of space theory, providing a new paradigm for the study of space production and urban micro spaces represented by cinemas.

Key words: production of space, spaces of representation, leisure, rituals, cinema

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